LIVE, the live music industry body, and a range of theatre businesses, including Andrew Lloyd Webber’s Really Useful Group, Cameron Mackintosh, Michael Harrison and Sonia Friedman, have commenced legal proceedings against the Government to force it to hand over the report of Phase 1 of the Events Research Programme (ERP).

The ERP is the Government’s research into COVID-19 mitigations in sport, entertainment and business conferences settings. The music industry and theatre businesses have repeatedly called on the Government to outline the scientific basis for its decision to maintain restrictions on events.

Despite portions of the ERP economic impact assessment being leaked to the media this week, the Government refused calls from many MPs in a debate on June 22 to release the report in full.

The live entertainment sector has spent the last few months participating in, and paying for, full capacity pilot events as part of the ERP – including The BRIT Awards at The O2 arena, an outdoor festival event in Liverpool for 5,000 people, a snooker tournament at the Crucible Theatre in Sheffield and the Download Pilot for 10,000 people last weekend.

These events have been a huge success, according to the Government itself in various press reports, showing that with proper precautions in place, live events at full capacity can go ahead safely.

Industry research indicates that the potential four-week delay to reopening will lead to around 5,000 live music gigs being cancelled, as well as numerous theatre productions across the country, costing hundreds of millions of pounds in lost income. This devastating impact was well-known to the Government according to leaked ERP economic impact assessments. Live entertainment and theatre generate £11.25 billion in Gross Value Added each year and the sectors support just under one million jobs between them. The Government’s Culture Recovery Fund has been welcome but very little has penetrated the commercial theatre sector in particular.

The Government has now begun to announce a third round of pilots.

In the legal action, lodged today (June 24), the parties assert that the Government has flagrantly breached the “duty of candour” which requires it to be transparent when faced with a legal challenge and that none of the reasons given for withholding the Events Research Programme material they seek withstand scrutiny. They have asked the court to consider their application at an urgent hearing as soon as possible.

As well as forming the basis for a reopening decision for July 19, the Events Research Programme findings also provide a path to ensuring that live entertainment does not need to be the first to close should there be a COVID resurgence over the winter. COVID certification, plus simple mitigation measures in venues, mean that events can be run safely.

In addition to publication of the Events Research Programme reports, there are other things that the theatre and live music sectors need from Government now, in order to be able to plan for a reopening from July 19:

  1. Insurance – the live entertainment industry has been pleading with the Government for more than nine months to help address the market failure in the provision of commercial COVID cancellation cover. The Government was willing to do this for the film and TV industry but will not step in in the same way for music, theatre and events. Without it, the risk of running activity is too high for many to be able to go forward.
  2. Quarantine – the tiny number of productions that are running at reduced capacity, or are in rehearsals, are dropping daily as they are forced to close after a single positive test, even when everyone else in a cast tests negative. The Government has said that it is considering moving to a “daily testing” regime, such as that undertaken recently by Michael Gove, but live entertainment needs it now.
  3. Guidance – the live entertainment industry has been told that there will be new Stage 4 live events guidance. But people are cancelling events due to take place post July 19 because they do not know what the on-going restrictions or requirements are going to be. Guidance should be made available now.

Stuart Galbraith, music promoter and co-founder of LIVE, the representative body for the live music industry, said: “The live music industry has been very willing to work with Government for the last year to show that our industry can operate safely. But it is intolerable that after running pilot shows for the Government’s Events Research Programme, at our own cost, we have been blocked from seeing the results, leaving the whole sector in limbo with the real chance that the entire summer could collapse for the second year running.

“Even now, the live music sector has no idea what the rest of the summer brings, and we are left with a complete inability to plan ahead due to the Government’s continued unwillingness to provide some form of insurance to enable events to move forward.”

Peter Gabriel, founder of WOMAD Festival, said: “Without immediate government intervention, the festival industry is on the brink of collapse. That doesn’t mean cash, it means providing the certainty to enable us to deliver festivals, guidance on safety, and an understanding of how their timing affects us in the real world.

“At the end of this week, WOMAD will be faced with one very difficult and heart-wrenching decision. Millions of pounds of investment and the livelihood of around five thousand people are at stake. Several pilot events have been successfully run over recent months. But, like other festival teams, we need to be told what that research means for WOMAD. We struggle to understand why these trials took place if the Government can’t now tell us the results and how that will affect all of us.”

Craig Hassall, CEO of Royal Albert Hall, said:“The chronic uncertainty and endless indecisiveness from government, and pilot events with no published results, have damaged audience confidence and further harmed a sector that has already been decimated by the pandemic. For as long as venues like the Royal Albert Hall, and hundreds more across the country, are prevented from effectively operating with no justification, we cannot play our part in supporting the critical ecosystem of freelancers, small businesses and suppliers who rely on us and who are so desperately in need of work.”